BLUE EAGLE, THE KING |
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| Some time in the 1930's, Catholic Schools | Raul S. Manglapus |
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| in the United States, particularly those named after | Ateneo de Manila -- 1939 |
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| the saints, were distressed by the cheekiness with | ||
| which they were mentioned in the sports pages. |
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| "St. Michael's Wallops St. Augustine's," or |
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| "St. Thomas' Scalps St. Peter's," headlines read. |
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| It was then agreed that each school adopt a mascot, |
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| a symbol for the team which the sportswriters could | ||
| toss about with freedom and which would consequently |
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| allow the saints to live in peace. |
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| The idea gained favor in the Philippines. |
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| The Ateneo adopted the Blue Eagle as a symbol, and | ||
| had a live eagle to accompany the basketball team. |
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| Blue Eagle, the King was written during the 1939 |
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| summer vacation, after Manglapus had been graduated |
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| with a Bachelor of Arts degree. He tried it out |
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| first on friends in Baguio--the out-of-town trial, | ||
| so to speak--and when classes re-opened had it |
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| performed by baritone Serafin Garcia before a |
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| Committee of Faculty members and Student leaders. |
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| The music was transcribed and orchestrated by | ||
| Lucio San Pedro, noted Filipino composer, who was |
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| then the Ateneo bandmaster. Blue Eagle, the King |
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| was immediately and unanimously approved, and |
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| was sung by the students for the first time at a |
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| convocation. |
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| The music for cheering songs of local |
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| schools was usually borrowed from American | ||
| cheering songs; new lyrics were written for them, |
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| or at least the proper names were changed. Blue |
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| Eagle, the King was the singular exception, not |
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| only because its music was especially composed |
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| for it, but also because it was borrowed, words, | ||
| music and all, by an American college, the |
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| Brooklyn Preparatory College. Brooklyn Prep |
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| had gone further and adopted the Blue Eagle as its |
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| mascot. | ||
| --Source: The Marching Songs of Raul Manglapus; a record album. |